reservation is required la prenotazione è obbligatoria
tel 393 0839097 dancenod@gmail.com
Audizione/Lezione avrà luogo alla Dimora coreografica Centro danza Royal di Via San Marino, 89/14 TORINO
ballet class fee: associati € 13,00 non associati € 16,00
piano: Cosimo Santoro
Born in Israel, Igal Perry began his dancing career with
Karmon, a folk dance company, and later joined the Bat-Dor
Dance Company where he worked with leading teachers and
choreographers including Inesse Alexandrov, Benjamin Harkarvy,
John Butler, Rudi Van Dantzig, Alvin Ailey, Paul Sanasardo, and
Lar Lubovitch. Upon arriving in the United States, Mr. Perry
joined Dennis Wayne’s Dancers as a ballet master and
choreographer. During that period, he staged John Butler’s work
for the New York City Opera, the Opera of Munich, Caracas
Ballet, and Teatro Alla Scala in Milan, where he also directed the
world premiere of Krzysztof Penderecki’s opera Paradise
Lost.
Mr. Perry’s first full evening of ballets, Chromatic
Motions, was presented in 1979, in collaboration with the
Manhattan School of Music, presenting works to original music
by Rand Steiger, Randy Packer, Edward Billous, and more. In
1981 and 1982, he headed the ballet department at Jacob’s
Pillow, and went on to co-direct the Clive Thompson Dance
Company. In 1983, Mr. Perry celebrated the opening of his
dance school Peridance Center, now Peridance Capezio Center,
which has since been providing a nurturing and professional
environment for all dancers. A year after the opening of his
school, he founded his dance company the Peridance Ensemble,
now Peridance Contemporary Dance Company, for which he has
choreographed over 50 works. Brooklyn Academy of Music
(BAM), The Joyce Theater, and City Center are amongst the many
theaters in which the Company has performed through the years.
Mr. Perry has collaborated with numerous composers including
John Mackey, Quentine Chappetta, Phillip Hamilton, and Avner
Dorman, with whom he has created the full length work
Dreams and Demons (2003).
Mr. Perry’s international engagements as a teacher and
choreographer include The Scapino Ballet and Het
National Ballet
(Holland), Laterna Magica and the National
Ballet (Prague),
Architanz (Tokyo), The Royal Ballet of Sweden, The
National
Ballet of China, and the Kwang-Ju City Ballet Company
(Korea),
where he also serves as Artistic Director for the Kwang- Ju
International Ballet Competition. Mr. Perry’s works are in the
repertories of companies throughout the world, including the
Batsheva and Bat-Dor Dance Companies
(Israel), Companhia de
Danca de Lisboa (Portugal), the Alberta Ballet
(Canada),
Complexions (USA) and Alvin Ailey II (USA).
Since 1995, Mr.
Perry has been serving as guest master teacher at Juilliard, where
he also staged his Intimate Voices, and premiered
Mourning Song, created for the
Juilliard Dance Ensemble. Mr. Perry’s
work has been repeatedly presented at the prestigious Florence
Dance Festival (Italy) by his Company as well as by Florence
Dance Company. In May 2007, Mr. Perry was inducted into the
Dance Library of Israel Hall of Fame.
NOD is happy to offer GAGA workshop and NAHARIN repertory - TORINO Italy with
DORON RAZ
10-11-12 novembre - N O D - Torino
NOD presso la dimora coreografica Centro Danza Royal Via San Marino, 89/14 Torino
8-9-10 february 2013 Registrations from now.. 20% discount for all participants of last Gaga workshopin November RESERVATION REQUIREDWITHINJanuary 30 Le iscrizioni sono aperte 20% di sconto per tutti gli iscritti al workshop di NOVEMBRE senza obbligo della quota d'iscrizione
PRENOTAZIONE OBBLIGATORIA ENTRO IL 30 gennaio Gaga Workshop and Naharin repertory will be heldby
DORON RAZ
will teach Gaga and Naharin repertory These classes are open to dancers age 17 and up.
GAGA schedule FROM 8 TO 10 FEBRUARY
friday 8 february teacher DORON RAZ h:10,0/11,15 Gaga Class Punctuality is recommended h: 11,30/13,30 Naharin repertory
saturday 9 february teacher DORON RAZ h: 10,00/11,15 Gaga classPunctuality is recommended h: 11.30/13.30 Naharin repertory
sunday 10 february DORON RAZ h: 10.00/11,15 Gaga class - Punctuality is recommended h: 11,30/13,30 Naharin Repertory
If you are thinking to an original Christmas gift think to a.... GIFT NOD (payment is due WITHIN DECEMBER 31st) GAGA (3 days) € 150,00 + € 15,00 registration Mauro ASTOLFI (2/3 febb) GAGA (8/10 febb) € 200,00 + registration Mauro ASTOLFI + GAGA + PITZALIS (11 gen) € 220,00 + registration
Se pensi ad un regalo diverso.... GIFT NODentro il 31/12 (combinazione di due o più workshop)
GAGAand Naharin repertory(3 days)€ 150,00 + iscr Mauro ASTOLFI (2/3 febb) GAGA (8/10 febb) € 200,00 + iscrizione per i non iscritti Mauro ASTOLFI + GAGA + PITZALIS (11 gen) € 220,00 + iscrizione per i non iscritti
FEESafter december 31 within January 30: - ONLY GAGA LANGUAGE(3 DAYS) € 90,00 + € 15,00 membership registration - SINGLE GAGA CLASS € 35,00 + € 15,00 membership Registration valid for 1 date only ,
Registration is required € 15,00 L'iscrizione di € 15,00 è obbligatoria fatta eccezione per i già iscritti alla NOD a.s.d.-
1h 15' GAGA language 2 h Repertorio Naharin
- 20% discount to teachers and professionals forthose whoenroll inall threedays ofworkshop (requires presentation of copy of contract, to be under 35 years)
- Discount of 10% for those who make the payment no later than JANUARY 15 and forthose whoenroll inall threedays of workshop
DISCOUNTS CAN NOT BE COMBINED
It's
forbidden to take photographs with camera, take pictures and use the
phone in the Nuova Officina della danza a.s.d. during the lesson.
It's necessary to send a short professional c.v specifyingif you have alreadyparticipated in other gaga workshops toinfo@nuovaofficinadanza.it
Cancellation Policy
If you need to cancel your registration:
Until JANUARY 15, you will receive a full refund less a 30 Euro cancellation fee. Between JANUARY AND FEBRUARY 7th, you will receive a 50% refund. If we will be able to fill the spot, you will receive a full refund minus a 30 Euro cancellation fee only.
Tuition will be paid through bank and will be due by JANUARY 30:
NUOVA OFFICINA DELLA DANZA A.s.d. IBAN - IT25X0690601015000000001183 BREUITM1
For any information about accomodations in Torino, dancers may contact: Tel 3356931525 Romina or aspassoconnod@gmail.com
Sconto del 20% ad insegnanti e professionisti solo ed esclusivamente per i 3 giorni di workshop (è necessaria la presentazione del contratto di lavoro, avere un'età inferiore ai 35 anni) Sconto del 10% per i nuovi iscritti e per chi effettua il pagamento entro e non oltre il 15 gennaio.(solo ed esclusivamente per i 3 giorni di workshop.
- GLI SCONTI NON SONO CUMULABILI
Doron Raz Avraham was born in Israel in 1984. She started dancing at
the age of three and trained for eight years at the School for
Contemporary Dance – Haya Zur. In 2000, at the age of sixteen, Doron
was accepted to the Batsheva Ensemble. During the next five years, she
danced for Ohad Naharin and Sharon Eyal. In 2005, she was appointed
the Rehearsal Manager of the company and continued to dance with the
group. Since 2006, Doron has danced in the companies of other choreographers
including Emanuel Gat, Anat Danieli, and Dana Ruttenberg. In 2009, she
danced in Clipa Theater’s production of the Short Stories of Kafka. Besides performing, Doron has created her own works which have been
showcased in festivals throughout Israel and Japan. Her duet The Lemon of Pink (2005) was presented at the Intimadance Festival at Tmuna Theater, and her trio Hen (2007) was featured in the Shades of Dance Festival at the Suzanne Dellal Centre. Women of the World (2008), a duet, was presented at Hazira Habein-tchumit in Jerusalem. While maintaining an active schedule as a performer and creator,
Doron has been teaching Gaga since 2005. She teaches Gaga/people and
Gaga/dancers at locations throughout Israel including Tel Aviv,
Jerusalem, Nir Eliyahu, Karkur, and the Zeadim (Steps) school in Kfar
Saba. She has taught Gaga to underprivileged students in Schunat
Ha’tikva’s Beit Dani and to Ethiopian youth in Yokne’am, and she has led
classes at an Arab-Jewish community center in Jaffa. Since 2007, Doron
has taught an annual Gaga course in the Japanese cities of Tokyo,
Yokahama, Kyoto, Osaka, and Kobe. She has also led Gaga workshops at
the Zurich University of the Arts in Switzerland (2009) and at Khadans
in Antwerp, Belgium (2010). Doron manages Gaga abroad.
Cancellation Policy
If you need to cancel your registration:
Until JANUARY 15, you will receive a full refund less a 30 Euro cancellation fee. Between JANUARY AND FEBRUARY 7th, you will receive a 50% refund. If we will be able to fill the spot, you will receive a full refund minus a 30 Euro cancellation fee only.
Tuition will be paid through bank and will be due by JANUARY 30:
NUOVA OFFICINA DELLA DANZA A.s.d. IBAN - IT25X0690601015000000001183 BREUITM1
For any information about accomodations in Torino, dancers may contact: Tel 3356931525 Romina or aspassoconnod@gmail.com
Sconto del 20% ad insegnanti e professionisti (è necessaria la presentazione del contratto di lavoro, avere un'età inferiore ai 35 anni) Sconto del 10% per chi effettua il pagamento entro e non oltre il 15 gennaio.
- GLI SCONTI NON SONO CUMULABILI
CANCELLAZIONE PRENOTAZIONE
Per cancellare la Vostra prenotazione:
Fino al 15 giugno riceverete piena restituzione meno € 30,00 della cancellazione
Dal 15 giugno al 7 febbraio la restituzione sarà del 50%. Se saremo
in grado riempire il posto, vi verrà restituita la totalità meno €
30,00 della cancellazione.
PRENOTAZIONE OBBLIGATORIA ENTRO IL 30 gennaio
È
vietato effettuare riprese con videocamera, fotografare e usare il
telefono cellulare nell'area della Nuova Officina della danza a.s.d.
durante le lezioni
OHAD NAHARIN has been hailed as one of the world’s preeminent contemporary choreographers. As Artistic Director of Batsheva Dance Company
since 1990, he has guided the company with an adventurous artistic
vision and reinvigorated its repertory with his captivating
choreography. Naharin is also the originator of an innovative movement
language, Gaga, which has enriched his extraordinary movement invention,
revolutionized the company’s training, and emerged as a growing force
in the larger field of movement practices for both dancers and
non-dancers
Born in 1952 on Kibbutz Mizra, Ohad
Naharin began his dance training with the Batsheva Dance Company in
1974. During his first year with the company, visiting choreographer
Martha Graham singled out Naharin for his talent and invited him to
join her own company in New York. While in New York, Naharin studied on
scholarship at the School of American Ballet, furthered his training
at The Juilliard School, and polished his technique with master
teachers Maggie Black and David Howard. He went on to perform
internationally with Israel’s Bat-Dor Dance Company and Maurice
Béjart’s Ballet du XXe Siècle in Brussels.
Naharin returned to New York in 1980,
making his choreographic debut at the Kazuko Hirabayshi studio. That
year, he formed the Ohad Naharin Dance Company with his wife, Mari
Kajiwara, who died of cancer in 2001. From 1980 until 1990, Naharin’s
company performed in New York and abroad to great critical acclaim. As
his choreographic voice developed, he received commissions from
world-renowned companies including Batsheva, Kibbutz Contemporary Dance
Company, and Nederlands Dans Theater.
Naharin was appointed Artistic
Director of Batsheva Dance Company in 1990 and has served in this role
except for the 2003-2004 season, when he held the title of House
Choreographer. During his tenure with the company, Naharin has
choreographed over 20 works for Batsheva and its junior division,
Batsheva Ensemble. He has also restaged over 10 of his dances for the
company and recombined excerpts from his repertory to create Deca Dance, a constantly evolving evening-length work.
Naharin trained in music throughout
his youth, and he has often used his musical prowess to amplify his
choreographic impact. He has collaborated with several notable musical
artists to create scores for his dances, including Israeli rock group
The Tractor’s Revenge (for Kyr, 1990), Avi Belleli and Dan Makov (for Anaphaza, 1993), and Ivri Lider (for Z/na, 1995). Under the pseudonym Maxim Waratt, Naharin composed music for MAX (2007) and edited and mixed the soundtracks for Mamootot (2003) and HoraPlayback (2004), a solo evening which he directed and performed. (2009). Naharin also combined his talents for music and dance in
In addition to his work for the
stage, Naharin has pioneered Gaga, an innovative movement language.
Gaga, which emphasizes the exploration of sensation and availability
for movement, is now the primary training method for Batsheva’s
dancers. Gaga has also attracted a wide following among dancers around
the world and appealed to the general public in Israel, where open
classes are offered regularly in Tel Aviv and other locations.
Naharin’s compelling choreographic
craft and inventive, supremely textured movement vocabulary have made
him a favorite guest artist in dance companies around the world. His
works have been performed by prominent companies including Nederlands
Dans Theater, Ballet Frankfurt, Lyon Opera Ballet, Compañía Nacional de
Danza (Spain), Cullberg Ballet (Sweden), the Finnish National Ballet,
the Paris Opera Ballet, Balé da Cidade de São Paulo, Cedar Lake
Contemporary Ballet (New York), Hubbard Street Dance Chicago, and Les
Grand Ballets Canadiens de Montréal. Naharin’s rehearsal process with
Cedar Lake Contemporary Ballet during a restaging of Deca Dance was the subject of Tomer Heymann’s documentary Out of Focus (2007).
Naharin’s rich contributions to the
field of dance have garnered him many awards and honors. In Israel, he
has received a Doctor of Philosophy honoris causa by the Weizmann
Institute of Science (2004), the prestigious Israel Prize for dance
(2005), a Jewish Culture Achievement Award by The Foundation for Jewish
Culture (2008), a Doctor of Philosophy honoris causa by the Hebrew
University (2008), and the EMET Prize in the category of Arts and
Culture (2009). Naharin has also been the recipient of the Chevalier de
l’Ordre des Arts et des Lettres from the French government (1998), two
New York Dance and Performance (Bessie) Awards (for Naharin’s Virus at
the Brooklyn Academy of Music in 2002 and for Anaphaza at the Lincoln
Center Festival in 2003), the Samuel H. Scripps American Dance Festival
Award for Lifetime Achievement (2009), and a Dance Magazine Award
(2009).
Gaga, the movement language developed by Ohad NaharinGaga
is a new way of gaining knowledge and self-awareness through your
body. Gaga provides a framework for discovering and strengthening your
body and adding flexibility, stamina, and agility while lightening the
senses and imagination. Gaga raises awareness of physical weaknesses,
awakens numb areas, exposes physical fixations, and offers ways for
their elimination. The work improves instinctive movement and connects
conscious and unconscious movement, and it allows for an experience of
freedom and pleasure in a simple way, in a pleasant space, in
comfortable clothes, accompanied by music, each person with himself and
others. “We
become more aware of our form. We connect to the sense of the
endlessness of possibilities. We explore multi-dimensional movement; we
enjoy the burning sensation in our muscles, we are ready to snap, we
are aware of our explosive power and sometimes we use it. We change our
movement habits by finding new ones. We go beyond our familiar
limits. We can be calm and alert at once.” – Ohad Naharin “La tecnica Gaga
non impone di cambiare le nostre abitudini di movimento, ma ce ne fa
scoprire di nuove. Impariamo ad ascoltare, guardare, confrontarci e
giocare con il nostro corpo. Scopriamo la passione per il movimento e
lo sforzo fisico richiesto per eseguirlo, la nostra parte animalesca e
il potere della nostra immaginazione. Impariamo a dosare in modo
corretto le forze, a “usare” quelle degli altri e a proteggere muscoli e
articolazioni dai traumi. Impariamo a sentire l’energia che scorre nel
nostro corpo, in ogni direzione”.
Ohad Naharinè riconosciuto come uno dei coreografi contemporanei più autorevoli nel mondo. Come direttore artistico della Batsheva Dance Company dal 1990, ha guidato la compagnia con una visione avventurosa artistica e rinvigorito il suo repertorio con la sua coreografia accattivante. Naharin è anche il creatore di un linguaggio innovativo del movimento, Gaga, che ha arricchito e rivoluzionato lo stile della compagnia, emergendo come una forza crescente, nel sempre più ampio settore delle tecniche del. Nato nel 1952 il kibbutz Mizra, Ohad Naharin ha iniziato la sua formazione nella danza con la Batsheva Dance Company nel 1974. Martha Graham individuò Naharin per il suo talento e lo invitò ad unirsi a lei con la sua compagnia a New York Nel frattempo a New York, Naharin studia con una borsa di studio presso la School of American Ballet, prosegue la sua formazione presso la Juilliard School, e perfezionando la sua tecnica con master teacher come Maggie Black e David Howard. Si esibisce a livello internazionale la compagnia Israeliana Bat-Dor Dance Company e il Ballet di du XXe Siecle di Maurice Bejart a Bruxelle. Naharin torna a New York nel 1980, al suo debutto coreografico al Hirabayshi Kazuko studio. Nello stesso anno, forma il Ohad Naharin Dance Company con la moglie, Mari Kajiwara, morta di cancro nel 2001. Dal 1980 al 1990, la compagnia Naharin si esibisce a New York e all'estero con grande successo di critica. Riceve commissioni da compagnie di fama mondiale tra cui Batsheva, Kibbutz Contemporary Dance Company, e Nederlands Dans Theater. Naharin è stato nominato direttore artistico della Batsheva Dance Company nel 1990 e ha ricoperto questo ruolo, tranne per la stagione 2003-2004, quando ha tenuto il titolo di coreografo
House. Durante il suo incarico con la compagnia, Naharin ha
coreografato più di 20 opere per Batsheva e la sua divisione junior,
Batsheva Ensemble. Ha anche reinterpretato oltre 10 delle sue danze per la compagnia e brani dal suo repertorio ricombinati per creare Deca Dance, in una continua evoluzione. Naharin studia musica per tutta la sua giovinezza, e spesso usa la sua abilità musicale per amplificare il suo impatto coreografico. Collabora con diversi artisti di rilievo musicali per creare i punteggi per i suoi balli, tra cui gruppo rock israeliano The Tractor’s Revenge (per Kyr, 1990), Avi Belleli e Dan Makov (per Anaphaza, 1993), e Ivri Lider (per Z / na, i 1995). Sotto lo pseudonimo di Maxim Waratt, Naharin composto musica per MAX (2007) e curato le colonne sonore e misti per Mamootot (2003) e Hora (2009). Naharin anche combinato il suo talento per la musica e la danza in Playback (2004), una serata da solista, che ha diretto e interpretato. Oltre al suo lavoro per il palcoscenico, Naharin ha aperto la strada Gaga, un linguaggio innovativo del movimento. Gaga, che enfatizza l'esplorazione di sensazioni e la disponibilità per il movimento, è ora il principale metodo di allenamento per i ballerini Batsheva. Gaga ha anche attirato un ampio seguito tra i ballerini di tutto il mondo e ha fatto appello al pubblico in Israele, dove le classi aperte sono offerti regolarmente a Tel Aviv e in altre località. L’inventiva coreografica di Naharin egregiamente tessuta con un vocabolario di movimenti avvincenti ed artigianali hanno fatto di lui l’ artista ospite preferito in compagnie di danza di tutto il mondo. I suoi lavori sono stati eseguiti da compagnie importanti tra cui Nederlands Dans Theater, Balletto di Francoforte, Lyon Opera Ballet, Compañía Nacional de Danza (Spagna), Cullberg Ballet (Svezia), il Balletto Nazionale Finlandese, la Paris Opera Ballet, Bale da Cidade de São Paulo , Cedar Lake Contemporary Ballet (New York), Hubbard Street Dance Chicago, e Les Grand Ballets Canadiens de Montréal. Durante le prove di Naharin con Cedar Lake Contemporary Ballet di Deca Dance, si è girato il documentario “Out of focus” Tomer Heymann è fuori fuoco (2007). Naharin ha contribuito ad arricchire il mondo della danza ottenendo numerosi premi e riconoscimenti. In Israele, ha ricevuto un dottorato in filosofia honoris causa da parte del Weizmann Institute of Science (2004), il prestigioso Israel Prize per la danza (2005), un ebreo Premio Cultura dalla Fondazione per la Cultura Ebraica (2008), dottore in La filosofia honoris causa dalla Hebrew University (2008), e il Premio EMET nella categoria Arte e cultura (2009). Naharin è stato anche il destinatario del Chevalier de l'ordre des Arts et des Lettres dal governo francese (1998), due New York e Performance Danza (Bessie) Awards ( per Naharin’s Virus presso la Brooklyn Academy of Music nel 2002 e per Anaphaza al Lincoln Center Festival nel 2003), il Samuel H. Scripps American Dance Festival Award alla carriera (2009), e una Dance Magazine Award (2009).
